| 
						Art Movements by Decade | 
			
				| 
						 1750 - 1775 - Rococo | 
			
				| France, England and Italy 
						
							| 
									Image Example | 
									Artistic Manifestations | 
									Artists | 
									Artistic Representations |  
							| Jean-Honore Fragonard 
									The Love Letter
									Metropolitan Museum of Art, New York City
								 | 
									Expressions of wit, fantasy and frivolity
									Aristocratic
									Occasional serious and satrical undercurrents.
								 | 
									France - 
									Francios Boucher (1703-1770)
									Jean-Honore Fragonard (1732-1806)
									Elisabeth Vigee-Lebrun (1755-1842)
									
									England - 
									William Hogarth (1697 - 1764)
									
									Italy -
									Giovani Tiepolo (1696-1770)
								 | Portraits (single, group, including backgrounds Narratives, social statements, satire |  | 
			
				| 1775 - 1820 - Neoclassicism 
						
							|  |  |  |  |  
							|   
									Jacques-Louis David
									The Oath of the Horatii
									Le Louvre, Paris, France 1784
								 | 
									Interest in antiquity, classical form and content
									Elimination of Rococo frills
									Focus on clarity, order and simplicity
									Appeal to rational sense, intellect
									Use of metaphor and allegory
									Heroic stories and gestures are encouraged
								 | 
									France - 
									Angela Kaufmann (1741-1807)
									Jacques Louis David (1748-1825)
									Jean Auguste Dominique (1780-1867)
									England - 
									Benjamin West (1738 - 1820)
									John Singleton Copley (1738-1815)
									Italy -
									Antonio Canova (1757-1882)
								 | Portraits- single, group. including backgrounds Narratives - historical, genre Historical metaphors - classical reference |  | 
			
				| 1798 - 1880 - Romanticism | 
			
				| France, Spain and England | 
			
				| 
						
							|   Francisco Goya 
									Execution on the Third of May, 1814
									Museo del Prado, Madrid, Spain
								 | 
									Nostalgia for the past - long ago and far away
									Interest in medieval tales of adventure and chivalry
									Interest in nature, natural beauty
									Interest in imagination, dreams, states of mind
									Appeal of emotions, expressions and sentiments
									Support of contemporary causes
									Revival of historical aarchitectural styles
								 | 
									France - 
									Francois Rude (1784-1855)
									Theodore Gericault (1748-1825)
									Eugene Delacroix (1798-1863)
									England - 
									John Henry Fuseli (1741 - 1825)
									William Blake (1757-1827)
									Jospeh Mallord William Turner (1775-1851)
									John Constable (1776-1837)
									Architects:
									John Nash (1752-1835)
									Sir Charles Barry (1795-1860)
									Augustus Wm Pugin (1812-1852)
									Spain -
									Francisco Goya (1757-1882)
								 | Portraits - single, group; including settings and backgrounds Narrative - literary, historical Landscape -objective, subjective and sublime Architecture -Gothic Revival |  | 
			
				| 1840 - 1900 - Realism | 
			
				| France, England | 
			
				| 
						
							|   
									Honore Daumier
									Third Class Carriage, 1865
									Metropolitan Museum of Art, New York City
								 | Direct observations of society and nature Development of political and social satire Social and political cartoons and caricatures Social observations,emphasis on class distinctions Natural atmospheres | France: 
									Jean Francois Millet (1814-1875)
								
									Rosa Bonheur (1822-1899)
								
									Gustave Courbet(1819-1877)
								
									Honore Daumier (1808-1879)
								
									Edouard Manet (1832-1883)
								
									England (Pre-Raphaelites)
									Dante Gabriel Rossetti (1828-1882)
									John Everett Millais (1829-1896)
									
								 | Portraits - single, group, including settings and backgrounds Animals - settings, with and without people Narrative - objective, subjective, satire, literary Landscape - as a subject, as a background |  | 
			
				| 1860 - 1900 - Impressionism - France | 
			
				| 
						
							|   
									Claude Monet
								 
									Rouen Cathedral
								 | 
									Artistic Manifestations:
									Concern with optical realism rather than social realism
 Natural properties of light
 Changes in weather conditions, time, seasons
 Interior effects of artificial light
 Observations of society (Bourgeois, Bohemian)
 Subject matter: genre, leisure, entertainment, landscape
 Concern with technique: brushstroke and color manipulation
 Influence of technology: photography, synthetic color
 Influence of culture: Japonism and formal structure
 | Artists: 
 France
 Edouard Manet (1832-1883)
 Edgar Degas (1834-1917)
 Berthe Morisot (1841-1895)
 Claude Monet (1840-1926)
 Auguste Renoir (1841-1919)
 Auguste Rodin (1840-1917)
 | Artistic Representations: 
 Portraits (single, group; exterior and interior backgrounds)
 Landscape (as a subject)
 Narrative (genre, leisure, entertainment)
 |  | 
			
				| 1880 - 1910 - Post-Impressionism | 
			
				| France | 
			
				| 
						
							|   
									Paul Gauguin
 
									La Orana Maria, 1891
 
									Metropolitan Museum of Art; New York City
								 | Artistic Manifestations: 
 Diverse individual characteristics, yet influenced by Impressionist artists 
 Color theories examined 
 Bright colors; visible distinct brushwork 
 Color separations 
 Clearly defined edges 
 Two manifestations: 
 Formal structure and values: composition paramount 
 Cezanne, Seurat 
 Emotional Content 
 Van Gogh, Gauguin 
 Influence of Japonism 
 | Artists: 
 France
 
 Henri de Toulouse Lautrec (1864-1901) 
 Paul Cezanne (1839-1906) 
 Paul Gauguin (1848-1903) 
 George Seurat (1851-1891) 
 Vincent Van Gogh (1853-1890)  | Artistic Representations: 
 Portraits (self, individual, group)
 
 Figure Studies (formal structure vs. emotional content)
 
 Still lifes
 
 Narratives (religious, metaphors)
 |  | 
			
				| 1890 - 1945 - Expressionism | 
			
				| France, Germany, Belgium | 
			
				| 
						
							|   Kathe Kollwitz
 The Uprising, 1899 | Artistic Manifestations: 
 Expressive and emotional possibilities of color 
 Introduction of Freudian theory 
 Symbolist content: 
 Social consciousness of realism 
 Internal world of imagination 
 Irrational aspects of the human mind 
 Subject matter: 
 Literature 
 Myths 
 Allegory 
 Dreams 
 Spirituality 
 Haunting, stark imagery  | 
 
 Artists:
 
 France:
 
 Henri Rousseau (1844-1910) 
 Edvard Munch 1863-1883)  (born Norway) 
 Germany:
 
 Kathe Kollwitz (1867-1945) 
 Emil Nolde (1867-1956) 
 Ernst Kirchner (1880-1938) 
 Max Beckman (1884-1950) 
 George Grosz (1893-1959) 
 Austria:
 
 Gustave Klimt (1862-1918)  | Artistic Representations: 
 
 Portrait (self, group)
 
 Psychological content
 
 Backgrounds
 
 Figures (narrative, decorative)
 
 |  | 
			
				| 1905 - 1915 - Fauvism ("Wild Beasts") | 
			
				| France, Germany | 
			
				| 
						
							|   Franz Marc
 Der Tiger, 1914
 Lenbachhaus; Munich, Germany
 
 | Artistic Manifestations: 
 Bright, non-naturalistic, and often unusually vivid colors 
 Strong use of pictorial space, pictorial movement 
 Forms built from color and/or pattern 
 Emotional content  | Artists: 
 
 France:
 
 Henri Matisse (1869-1954) 
 Georges Rouault (1871-1958) 
 Maurice de Vlaminck (1876-1958) 
 Andre Derain (1880-1954) 
 Germany:
 
 Franz Marc (1880-1916) 
 | Artistic Representations: 
 
 
 
 Figures 
 Landscapes 
 Animals 
 |  | 
			
				| 1907 - 1920 - Cubism | 
			
				| France | 
			
				| 
						
							|  
 Pablo Picasso
 Man With a Pipe, 1911
 Kimball Art Museum; Fort Worth, Texas
 | Artistic Manifestations: 
 
   
 
 Objective 
 Radical approach to space, spatial organization 
 Radical break from reality: 
 Abstraction 
 Fragmentation 
 Distortion        
 Simplification 
 Asymmetry 
 Simultaneous views and directions. No single point of view 
 Bold strokes of color or monochromatic schemes  | Artists: 
 
 France:
 
 Jacques Villon (1875-1963) 
 Pablo Picasso (1880-1973) 
 Georges Braques (1881-1963) 
 Fernand Leger (1881-1955) | Artistic Representations: 
 
   
 
 Figures 
 Still lifes 
 |  | 
			
				| 1909 - 1925 - Futurism | 
			
				| Italy | 
			
				| 
						
							|   Giacomo Balla
 
 Dynamism of a Dog on a Leash, 1912
 
 Jewish Museum; New York City
 | Artistic Manifestations: 
 
   
 
 Dynamism, strong compositions 
 Dynamic energy 
 Speed, travel 
 Technology 
 Machines 
 Strong color 
 Break with academic traditions  | Artists: 
 
  
 
             Italy:
 
 Giacomo Balla (1871-1958) 
 Filippo Marinetti (1876-1944) 
 Umberto Boccioni (1882-1916) 
 Gino Severini (1883-1966) | Artistic Representations: 
 
   
 
 People (usually single) 
 Citylife 
 Sports 
 Aeropaintings (depicting movement) 
 Text (words) in art |  | 
			
				| 1915 - 1933 - Bauhaus | 
			
				| Germany | 
			
				| 
						
							|   Paul Klee
 Temple Gardens, 1920
 Metropolitan Museum of Art; New York City | Artistic Manifestations: 
 
   
 
 Correlation between creative design and modern industry and science 
 Smooth, tensile forms combined with strong colors (ex. tubular steel furniture) 
 Integrated expressionist styles with design and architecture 
 Materials: steel, concrete, chrome, glass 
 Varied Fine and Technical artists, architects: 
 Advertising, stage, photography, typography, furniture, architecture  | Artists:  (most emigrated after the Nazis closed the Bauhaus in 1933) 
 
  
 
             Germany 
 
 Lyonel Feininger (1871  1956) 
 Walter Gropius (1883  1969) 
 Ludwig Mies van der Rohe (1886  1969) 
 Josef Albers (1888  1976) 
    Switzerland 
 
 Paul Klee (1879  1940)  | Artistic Representations: 
 
   
 
 Abstract imagery 
 Advertising, typography 
 Industrial design: furniture, house-wares 
 Architecture  |  | 
			
				| 1915 - 1945 - Surrealism | 
			
				| France, Spain,  Belguim, Italy | 
			
				| 
						
							|   Salvador Dali
 Persistence of Memory, 1931
 Metropolitan Museum of Art; New York City | Artistic Manifestations: 
 
 Symbolism, personal imagery 
 Alternative to formal theories of Cubism 
 Emphasis on positive expression 
 Influenced by theories of Sigmund Freud 
 Reunited ‘conscious and unconscious’ realms of experience 
 ‘Absolute Reality:’ the worlds of dream and fantasy joined to the everyday rational world in an “absolute reality, a surreality” 
 | Artists: 
 
 France
 
 Marc Chagall (1887  1985)
 
 Marcel Duchamps (1887  1968)
 
 Max Ernst ( 1891  1976)
 
 Yves Tanguy (1900  1955)
 
 Spain
 
 Joan Miro (193  1983)
 
 Salvador Dali ( 1904  1989)
 
 Belgium
 
 Rene Magritte (1898  1967)
 
 Italy
 
 Giorgio de Chirico (1888  1978)
 
 | Artistic Representations: 
 
 Spontaneous imagery, free association 
 Automatism 
 Fantasy 
 Confusion  |  |